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Doris Day introduced it I asked my mother, what will I be. Will I be pretty. Will I be rich.
If Narcos were filmed in the style of a Bollywood movie or Mamma Mia , then the show's various drug lords would gather at the end of the season, exhaust all their pent-up tension, and have a dance party to the show's theme song, "Tuyo" by Rodrigo Amarante. Unfortunately, Narcos: Mexico offers no such relief from its unrelenting scenes of ruthless gun violence. At least "Tuyo," playing over each episode's opening credits, acts as a brief two-minute reprieve. And what a spectacular reprieve it is. Brazilian singer-songwriter Rodrigo Amarante wrote "Tuyo" keeping in mind Pablo Escobar, the notorious cocaine trafficker who was the focus of Narcos 's first two seasons. She narrates the process of raising the "boy that would become a monster," as NPR put it. Instead of creating a sonic tribute to the '80s, when the show is set, Amarante channeled the love songs of Escobar's mother's era. Using figurative language, the lyrics conjure up Escobar as a powerful, passionate, and problematic figure. Above all, this stanza paints Escobar as an inescapable force of nature on which people have come to rely as they would on fire, or on water.
The film's theme song , "Colors of the Wind" was originally recorded by American singer and actress Judy Kuhn in her role as the singing voice of Pocahontas. A pop ballad , the song's lyrics are about animism and respecting nature, and have been compared to both transcendentalist literature and New Age spirituality. American actress and recording artist Vanessa Williams 's adult contemporary cover of the song was released as the lead single on May 23, by Walt Disney Records , from the film's soundtrack , and became a top ten hit on the Billboard Hot Following the death of Howard Ashman , the Walt Disney Company wanted to find another musician to collaborate with Alan Menken on his scores for animated films. Stephen Schwartz , the composer behind the Broadway theater hits Godspell , Pippin , and The Magic Show , received a call from the company asking if he would like to collaborate with Menken. Schwartz had never considered working in the film industry, but agreed to do so nonetheless. Schwartz wanted to write a song for the film wherein Pocahontas confronts the Eurocentrism of John Smith. According to Schwartz, the song "influence[d] the development of the rest of the film. This is often the process in animation, at least as I've experienced it, where everybody works from an outline and each succeeding piece of material, whether it is a song or drawings, influences the next.